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As late as 1833, Welsh folklore tells of workmen near Mold in Clwyd who would see gold-armored elf-warriors at the tumulus of Bryn-yr-ellyion, "the hill of fairies." Given how a barrow is a gravesite, many legends, literary works, and cultural practices connect them with death.Shakespeare in particular is often referred to as "the Bard" or "the Bard of Avon" in spite of the fact he wrote in the Renaissance, long after the heyday of Celtic bards.The modern day has seen a sort of revival of bardic performance since 1822, when the ancient bardic performance contests were revived in Wales.An example of a phrase that corresponds in meter to the Bachic foot is "BAD QUARTO: In the jargon of Shakespearean scholars, a "bad quarto" is a copy of the play that a disloyal actor would recreate from memory and then submit for publication in a rival publishing house without the consent of the author.These bad quartos are often grossly inaccurate, but may contain useful stage directions not included in the original.

In the legends, Balder's mother and he dream that he will die.

Shocked, the rest of the gods, animals, and inanimate objects all take vows not to harm Balder--with the exception of two beings--the evil god Loki and the lowly mistletoe plant, which was still too young to make legally-binding vows.

These contests are called in Welsh Eisteddfodau (singular Eisteddfod).

In modern Welsh, the term bardd refers to any participant who has competed in an Eisteddfod.

In Scandinavia, western Europe, and the British Isles, barrow-makers often included ancient weaponry, armor, or treasure as part of that burial.